Penelope Trappes

On April 4th, Brighton-based Australian vocalist, producer, and multi-instrumentalist
Penelope Trappes will release her fifth full-length album ‘A Requiem’. It comes
alongside news of her signing to London imprint, One Little Independent Records. ‘A
Requiem’ collects ten haunting, ambient soundscapes–incantations of dreams and
nightmares, of death and grief, as well as power and autonomy. Carnal,
transcendent cello drones are used to exorcise historical and generational traumas
in an evocative and macabre piece of gothic experimentalism.
Formally trained in opera and jazz in her youth, Penelope swaddles her voice and
poetics in brooding atmospherics underpinned by subterranean drone. She released
her acclaimed trilogy, ‘Penelope One’, ‘Two’ and ‘Three’, on Fabric’s Houndstooth
label. In between instalments of her ambitious trilogy, Penelope released a clutch of
both experimental and more dreampop-oriented EPs. She demonstrated her
versatility in the extended 25-minute deep-listening composition ‘Gnostic State’, and
the arpeggiated electronics and minimalist songwriting on the ‘Eel Drip’ EP, which
was accompanied by image and film inspired by Francesca Woodman’s 1970s
series of nude self-portraits with eels. She also released an album of reworks,
‘Penelope Redeux’, with contributions by Cosey Fanni Tutti, Mogwai, Félicia
Atkinson and Nik Colk Void, and the cassette, ‘Mother’s Blood,’ a vocal-free
meditative reinterpretation of ‘Penelope Three’ concluding with the live-scoring of a
1-hour film at Sonica Festival.
Penelope’s fourth album, ‘Heavenly Spheres’, was released in 2023 on her own Nite
Hive imprint, was composed using just piano, voice and an old reel-to-reel tape deck
during a two-week artist residency for Britten Pears Arts at the house where the
composer, teacher and musicologist Imogen Holst lived in Aldeburgh, Suffolk. Most
recently, 2024’s ‘Hommelen’, the austere and beautifully severe result of her
Halldorophone residency at EMS Stockholm was released on Paralaxe Editions.
In the live realm, Penelope’s music expands into tidal waves and surges of tension
with hypnotising gothic live visuals by Agnes Haus. Select shows are accompanied
by a live band, and other times performing solo, she has shared the stage with the
likes of William Basinski, Mary Lattimore, and NYX drone choir, and she has
extensively toured the UK, Australia, and Europe over the last five years, including a
pivotal live performance with the London Contemporary Orchestra at Southbank
Centre.